my pacific coast muse

Tag: kintsugi

Scenic Overlook

copepodilia-fix
The Fix and Copepodilia in Scenic Overlook at Patricia Sweetow Gallery

Back in May, I had an exhibit at Patricia Sweetow Gallery in San Francisco. A few of the projects already discussed here were part of the exhibit:  The Fix, Copepodilia, Pacific Falls, and Collision. I also showed three new selections from a series of videos called “In the Time of…” which were inspired by Pool The works were all about the small yet essential creatures easily overlooked in a vast landscape.

These little videos are about the experience of gazing into a tide pool, and the timelessness of that experience. Maybe timelessness isn’t the right word…  Anyhow, In the Time of… led to another video work called Eclipse and that has led to a new idea for a larger video installation. More on all of this later, but in the meantime:

In the time of Anemones

I wonder, sometimes, if this obsession with tide pools is foolish. Has everyone done this as a kid, laid on their bellies and stared into a rocky little pool filled with strange life forms? This past weekend I was talking with two adults in their 70s. One was an architect and designer, the other a french scholar, both professors for many years in Montreal. My granddaughter came over to talk with us, and I mentioned that I was taking her to the tide pools later that day. They asked, “What’s a tide pool?”  I stuttered. How to describe these universal worlds…? My granddaughter offered that there are lots of starfish in tide pools and they said that they’d never seen a living star fish, only photos – not even video!

In the time of Stars (hermits scuttle over baby starfish)

Our oceans are vast and take up most of the planet, but we’re small in comparison, and need to make our way to the edges to experience the saltwater shoreline. With privatization, industry, ports, pollution, highways, etc. it’s not easy to experience the shore even when one lives close to an ocean. And many shorelines have marshes and other intertidal ecosystems, but no tide pools to speak of. So I guess there’s relevance in attempting to share this experience. It’s a big part of what art does, right? It takes us to places (both physical and not) and give us experiences that we will otherwise never have? And then, hopefully, tap into our capacity for empathy? Cause us to stop, slow down, muse, maybe have a revelation?

In the time of Hermits

The Fix

So the abalone kintsugi project is at the San Jose Museum of Art for the next six months, part of a show called “Your Mind, This Moment” curated by Susan Krane.

The piece is out on a porch, off of the second floor gallery. It will be out in the rain and the sun and the fog. I love the idea of it being back in the elements, such as they are. Rich Karson built the ideal redwood table for it, and carved some redwood supports that curve perfectly along the inside of the shell.

I’m taking a break for now, while I focus on a new work for an upcoming show at Hosfelt Gallery, but eventually I’ll get back to fixing broken abalone. It will be interesting to see how the pieces I make in my studio will meld onto this initial shellopolis once it comes home from the museum. In the meantime, I love this spot as its first adventure out into the world. I realized it’s also the perfect test to see if I can keep it outside, in case it eventually bursts the seams of my studio.

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